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Literature Text
Content notification: Sexual assault and eating disorders
Mermaid Bones - a beat poem.
I'm hiding an ocean of teeth under my scales
it's in the forbidden taste of salt on my tongue
the weight of the measuring tape,
of those numbers pushing bubbles through my blood and through my gums.
It's written on the circumference of my waist.
In the words cursing the ghost ship of my shape being plundered against my will.
It's spoken by the fish telling me that I have no right to fill my gills with oxygen
underneath a sea bed of regret laid heavy with the shape of a tail.
You are a whale they said
and they made me push my bones out to see the fish bones that they could wish on
to beach myself on the sand reaching for a reason to say "no"
No.
I will not make sandcastles out of sandwiches, and pick at the entrails of the jellyfish noodles on my plate on the first date with puberty that said
"you will now be endowed with an oyster set with strings of pearls that hang heavy round your throat like a noose of silence and rules
kilojoules killing you as they de-bate you on
whether or not you're human enough to warrant the human right to decide on what to do
with this body you were born into.
You abuse it because they abused you
you have shut your mouth with hooks that pierce the flesh and bring you closer to death
drowning in oxygen is an oxymoron
just like starving for freedom and screaming to be seen and heard
when your lips are sewn closed by your own hands
and hands that keep trying to cook you over gas or silence your song
just in case you might sing sailors to their death on rocks with your anger and your truth.
And when they pluck you from the tide, slice you open and look at your insides,
they will say that you're too small to nourish them
as if your body was something they could glut themselves upon
to satisfy their own needs.
They breathed disgust as you disappeared into the seaweed, hiding in the deep, trying to make the smallest ripples in the world
while they trawled the sea for bigger fish to hook.
They will look upon you as sport
and confuse your body with a humpback whale
not for its beauty, or its power
not for its song, and it's slow
sorrowful grace.
But they will look upon you as a whale to hump
to dump on expectations and lust
to tell you that you must appeal to their narrow definitions
and contrition
so that you turn to your own body as ammunition
to kill your own heartbeat and wage internal warfare.
They snare you with their words
groper fish pushing their mouths closer
trying to take you down to sleep with those fishes
to sleep with them on a mattress erected to silence your voice.
So you subsist on nothing but promises to yourself to grow
smaller
in order to keep them away
hiding the curves of the bay under an oversized t-shirt.
But then you hear that song, echoing in the blue, and it sinks into your bones, and makes ripples in your soul.
And you realise that the trails left in the sand by crustaceans are breadcrumbs to find your way back home
and you pick them up, one by one,
the way you walked along the shore collecting shells as a girl
and you hold them up to the whorl of your ear
and listen.
Listen for the sound of the ocean in you.
and slowly
the mad seas breathe life back into your form
you gather power and gaia magic, and see them for what they are
you put throw the pain and shame and anger back to whom it belongs
and you are reborn home into your body that was never
wrong.
Mermaid Bones - a beat poem.
I'm hiding an ocean of teeth under my scales
it's in the forbidden taste of salt on my tongue
the weight of the measuring tape,
of those numbers pushing bubbles through my blood and through my gums.
It's written on the circumference of my waist.
In the words cursing the ghost ship of my shape being plundered against my will.
It's spoken by the fish telling me that I have no right to fill my gills with oxygen
underneath a sea bed of regret laid heavy with the shape of a tail.
You are a whale they said
and they made me push my bones out to see the fish bones that they could wish on
to beach myself on the sand reaching for a reason to say "no"
No.
I will not make sandcastles out of sandwiches, and pick at the entrails of the jellyfish noodles on my plate on the first date with puberty that said
"you will now be endowed with an oyster set with strings of pearls that hang heavy round your throat like a noose of silence and rules
kilojoules killing you as they de-bate you on
whether or not you're human enough to warrant the human right to decide on what to do
with this body you were born into.
You abuse it because they abused you
you have shut your mouth with hooks that pierce the flesh and bring you closer to death
drowning in oxygen is an oxymoron
just like starving for freedom and screaming to be seen and heard
when your lips are sewn closed by your own hands
and hands that keep trying to cook you over gas or silence your song
just in case you might sing sailors to their death on rocks with your anger and your truth.
And when they pluck you from the tide, slice you open and look at your insides,
they will say that you're too small to nourish them
as if your body was something they could glut themselves upon
to satisfy their own needs.
They breathed disgust as you disappeared into the seaweed, hiding in the deep, trying to make the smallest ripples in the world
while they trawled the sea for bigger fish to hook.
They will look upon you as sport
and confuse your body with a humpback whale
not for its beauty, or its power
not for its song, and it's slow
sorrowful grace.
But they will look upon you as a whale to hump
to dump on expectations and lust
to tell you that you must appeal to their narrow definitions
and contrition
so that you turn to your own body as ammunition
to kill your own heartbeat and wage internal warfare.
They snare you with their words
groper fish pushing their mouths closer
trying to take you down to sleep with those fishes
to sleep with them on a mattress erected to silence your voice.
So you subsist on nothing but promises to yourself to grow
smaller
in order to keep them away
hiding the curves of the bay under an oversized t-shirt.
But then you hear that song, echoing in the blue, and it sinks into your bones, and makes ripples in your soul.
And you realise that the trails left in the sand by crustaceans are breadcrumbs to find your way back home
and you pick them up, one by one,
the way you walked along the shore collecting shells as a girl
and you hold them up to the whorl of your ear
and listen.
Listen for the sound of the ocean in you.
and slowly
the mad seas breathe life back into your form
you gather power and gaia magic, and see them for what they are
you put throw the pain and shame and anger back to whom it belongs
and you are reborn home into your body that was never
wrong.
Literature
A mermaid stole my bones
I want to deteriorate into the ocean and feel the waves
Break over my spine
Because I’ve learnt through trial and error
That holding my breath only makes my heart beat faster
And plain white pills do nothing to soothe
The anxiety sewn deep within my bones
The bitter aftertaste still lingers in the back of my throat
much like the feeling
of her breath in my lungs
Literature
sick hydrangea and my bones
i bare my bones to the screeching moon.
twenty-nine days, and i claw again.
take my flesh, take it, dye me maroon.
ribcage and spine: shadows soften too soon.
light, light, as i crawl through the glen.
i bare my bones to the screeching moon.
i gouge myself open to find the rune,
hacking, peeling, like do all wise men.
take my flesh, take it, dye me maroon.
pooling skin-folds, i want them scattered, strewn.
this skin's all bark and oozing holes when
i bare my bones to the screeching moon.
bubble, swell; i can hear the snakes croon.
beauty of being lies beneath the vein.
take my flesh, take it, dye me maroon.
crazed lust for hu
Literature
why we pity angels
to him;
you are afraid of phonecalls. you
are afraid of your own voice, and
opening your ribcage to let
your heart come live on your sleeve.
you are afraid of living without caffeine
or alcohol, whatever the day calls for;
you are afraid of being real
without laughing afterwards, becoming
everything you worked so hard to get
away from, acknowledging all
that you still are. know this:
I am afraid of loud noises.
I am afraid of honesty and drowning,
people I don’t know and words
I won’t say. I am afraid
of growing old and living alone and
you not accepting me. I am afraid
of myself. In that, we are the same.
to her;
I have the
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Discussing trauma, sexual assault and eating disorders with the Women's Collective at my uni led to writing this. Obviously better to hear in person, but anyway.
Once again, this was written about a universal experience for many survivors, and inspired by a collective discussion. I have stated this when it's been published, I've stated it when I've been directly asked. the thought that this is about anyone in particular is an assumption only, and not something I have control over. I was unaware until now that this was being supposedly widely assumed to be written about a particular person. It is not. When it was published, it was published with the disclaimer "inspired by collectivist discussion about tragically common experiences..." etc.
I am an artist, a mental health worker, a feminist, a women's activist, and passionate about human rights and well-being. I have the right as an artist to write on any subject I feel passionate about, and see fit to express. Whatever people take from it is their own interpretation. This piece, for me, was written with the intent to speak to survivors and to ultimately express my feelings that all people and bodies are beautiful, and that survivors have done nothing wrong. It was ultimately words chosen to try to explore and to encourage understanding and empathy.
Any way that this has been interpreted otherwise or misconstrued is out of my control - there is no accusation 'hidden' or explicit anywhere in this piece. This was meant as something beautiful and a message of hope.
Once again, this was written about a universal experience for many survivors, and inspired by a collective discussion. I have stated this when it's been published, I've stated it when I've been directly asked. the thought that this is about anyone in particular is an assumption only, and not something I have control over. I was unaware until now that this was being supposedly widely assumed to be written about a particular person. It is not. When it was published, it was published with the disclaimer "inspired by collectivist discussion about tragically common experiences..." etc.
I am an artist, a mental health worker, a feminist, a women's activist, and passionate about human rights and well-being. I have the right as an artist to write on any subject I feel passionate about, and see fit to express. Whatever people take from it is their own interpretation. This piece, for me, was written with the intent to speak to survivors and to ultimately express my feelings that all people and bodies are beautiful, and that survivors have done nothing wrong. It was ultimately words chosen to try to explore and to encourage understanding and empathy.
Any way that this has been interpreted otherwise or misconstrued is out of my control - there is no accusation 'hidden' or explicit anywhere in this piece. This was meant as something beautiful and a message of hope.
© 2013 - 2024 Rosary0fSighs
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This is so incredibly powerful.